By M.B. Mayfield

AUGUST 23, 2024 – AUGUST 23, 2025

By M.B. Mayfield

M.B. Mayfield was born April 26, 1923, in Ecru, Mississippi, to Vanderbilt Mayfield and Ella Tabitha Judon Mayfield. His Judon family owned what a published and historical account of Pontotoc County indicates was the largest tract of land belonging to an African American family in Pontotoc County.

The Judon family, Mayfield’s maternal grandfather, established churches and schools for Ecru’s African American community in the late 19th century Village of Ecru and later in the incorporated Town of Ecru (1904). Mayfield’s mother, Ella Tabitha, received a music education from Spelman College in Georgia. Mayfield’s grandfather, Adam Judon, was from Georgia.

The death of his father and later his mother’s second husband and the harsh reality of poverty during the Great Depression left the Mayfield family less fortunate. A self-taught artist until the age of twenty-six, M.B. Mayfield describes the day he met Professor Stuart Purser in the Summer of 1949 as the most significant day of his life.

Mayfield studied art as an unofficial student at the University of Mississippi while working as a janitor to observe classes in the art room during racial segregation. Art became the vocation he would resiliently pursue, and Mr. Mayfield continued on the singular path to establish himself in the art world, though he was still an outsider to it in many ways. He exhibited his art widely in the 1980s and 1990s, including a show hosted by the Center for the Study of Southern Culture during the Thirteenth Annual Faulkner and Yoknapatawpha Conference and at Southside Gallery in Oxford in 1997.

Following his mother’s death, Mayfield moved to Memphis, Tennessee in 1969. There, he worked as a custodian and security guard at Brooks Memorial Art Gallery before returning home to Ecru in 1979. In Memphis, he gained notoriety and made many connections with other artists and established patrons of his art. M.B. Mayfield lived and painted in his home from 1979 until his death from a heart attack in 2005. According to Foundation records and estimations, Mayfield painted well over 200 works in his lifetime. Many were versions of the same painting, though each has unique qualities.

 

Mediterranea: American Art from the Graham D. Williford Collection

AUGUST 13 – DECEMBER 7, 2024

Mediterranea: American Art from the Graham D. Williford Collection

Edmonds, Lawrence, and Fortune Galleries

The Williford Collection of American Art boasts seventy-two paintings depicting scenes from the Mediterranean. Throughout the 1800s, aristocratic young men from America traveled to Europe to journey through the ancient ruins of Greece, Rome, and Egypt, following the footsteps of their British predecessors who started the Grand Tour in the 1600s.

 

While a “Grand Tour” usually beginning in France and culminating in Italy had been part of the “finishing” of English and Northern European aristocratic young men since the late 17th century, it really only coalesced as a cultural custom in America in the 19th century as the rise of industrialism produced a wealthy set of American families who could afford to send their sons, and increasingly their daughters, to Europe for months at a time. Study of Greek and Roman Classics was central to an elite education, so travel in Italy in particular held great cultural significance for these young tourists. In the same period, the advent of train travel and steamer ships also made this sort of adventure accessible to artists and writers, rather than only to the most elite Americans. More adventurous travelers began to broaden the destinations of their “Tour” to include places like Spain, the Holy Land, and Egypt; the last is well represented in the paintings in this exhibit.

Aspiring American painters regularly made European trips as part of their education, spending time not just touring the grand museums, private art collections, and decorated churches of Europe, but also training at schools or in private lessons. They would make numerous sketches throughout their travels to continue work after their return home, and some returned to Europe later in life for longer periods.

Dr. Molly Pasco-Pranger

 

All artwork in Mediterranea is on loan from a private collection assembled by Graham Devoe Williford (Fairfield, TX, 1926-2008). Mr. Williford, an art historian with a keen eye and a steadfast passion for American art of the late 19th century, was able to amass a collection of over 1,100 works during a time when tastes had shifted to modernism. His devotion to this art period left a legacy of artwork preserved for many more generations to enjoy, study, and glean inspiration.

This exhibit has been generously sponsored by the Jean and Graham Devoe Williford Charitable Trust.

 

 

 

William Clothier Watts, Grazing Sheep, Temple of Luxor, Egypt, ca. 1915, watercolor on paper
The Jean and Graham Devoe Williford Charitable Trust

Magic Lanterns

FEBRUARY 13 – SEPTEMBER 7, 2024

View Magic Lanterns online

Astrological Signs, Carpenter and Westley Magic Lantern Slides, ca. 1860

 

Magic Lanterns is an immersive exhibit containing luminous prints and projections of astronomical and astrological imagery sourced from 1860’s magic lantern slides from the Millington-Barnard Collection of Scientific Instruments. Magic Lanterns, a predecessor of modern slide projectors, was used to swindle, entertain, and enchant its audience for hundreds of years before the advent of moving pictures. Large projections of slides like these revolutionized teaching. With a single device that could fit in an average room a viewer could suddenly travel the globe or see through an observatory telescope lens.


 

Continued Artistry

AUGUST 1, 2023 – AUGUST 10, 2024

View Continued Artistry online

continued artistry Mississippi Band of Choctaw Indians Pueblo of Zuni and Navajo Nation

Choctaw basket weaving is and important traditional artistry that has been practiced for centuries. Baskets were first created primarily for utilitarian use and came in a myriad of shapes and sizes to serve different functions. While production and common use has dwindles in the past century, native weavers continue the tradition, passing their skill to the next generation. Most contemporary Choctaw basket weavers are still based in Mississippi, though a few are based in Oklahoma.

Indigenous artisans of the southwest have practiced silversmithing and jewelry making since the mid-19th century. Spanish and Mexican people first taught Navajo artists the foundational skills that would later lead to their iconic artform. While initial Navajo designs were chunky pieces of silver with etched designs, the Navajo people soon began setting stones into the silver creating the style best known today.


 

Recent Acquisitions, 2012-Present

MAY 9, 2023 – MARCH 23, 2024

Painting. "The Diver,"

The Diver, 1977 by Jere Allen (b. 1944-)  Bequest of Lucy Turnbull, 2020

 

Recent Acquisitions, 2012-Present

From its inception, the University Museum has thrived due to the generosity of its many supporters. With an expansive range of historical, artistic, and cultural objects the Museum is able to offer a regular rotation of diverse and compelling exhibits. This exhibition celebrates recent donations and purchases to the Museum over the past decade featuring work by acclaimed artists such as Dean Mitchell, Purvis Young, Hale Aspacio Woodruff, Maude Schuyler Clay, Katja Oxman, Georgia Speller, William Dunlap and more.

View Recent Acquisitions in the Edmonds Gallery, Seymour Lawrence Gallery, Fortune Gallery, and Online.


 

Decade of Donated, Community-Funded Work on Display at UM Museum

 

Friends of Theora

JANUARY 17, 2023 – DECEMBER 9, 2024

Painting. "Jacob’s Ladder," ca. 1951-1955, by Stuart Purser

Jacob’s Ladder, ca. 1951-1955, by Stuart Purser

Most people know Theora Hamblett for her paintings of her childhood memories, dreams, visions, and her faith; however, this exhibit examines the external influence of other artists that inspired Hamblett as an emerging artist, student, and observational painter searching for her own artistic voice. Many of the works on view were from her personal collection, collected through art exchanges with artists that she befriended.

Friends of Theora can be viewed in person in the Lower Skipwith Gallery. This exhibit is also available online: Friends of Theora Hamblett

 

 

 

 

 

 

 

 

 

 

 

 

 


 

‘Friends of Theora’ on Display at University Museum